Architectural Board Exam Reviewer

[jenaro]

First topic message reminder :

Mga sir share ko lang ung mga reviewer na ito....share nyo din kung mayron din kayo...thnx!

ARCHITECTURAL ACOUSTICS
compiled & edited by Arch. Jenaro A. Villamor, uap
Definitions of ACOUSTICS:
1. branch of physics concerned with sound
2. deals with the production, control, transmission, reception, and effects of sound
Almost all acoustical situations are described in 3 parts (elements):
1. Sound Source ( e.g. human speech, HVAC equipment)
2. Transmission Path (e.g. air, earth, building materials)
3. Receiver (e.g. humans, animals, sensitive medical equipment)
ARCHITECTURAL ACOUSTICS
1. technology of designing spaces, structures and mechanical systems to meet hearing needs
2. effect of building design on the control of sound in buildings
3 Aspects of Acoustical Design in Buildings
1. Planning to keep noise sources as far as possible from quiet area
2. Internal acoustics of rooms
3. Structural precautions to reduce noise penetrations
Essential Elements of Architectural Acoustics:
1. Room Acoustics – the qualities or characteristics of a room, auditorium, or concert hall that determine the audibility of speech or fidelity of musical sound in it
• Cubic volume (and coupled spaces)
• Shape and proportion (length-to-width, height-to-width)
• Finishes (selection and placement)
• Audience layout ( floor slope, speaker-to-listener distances)
• Special treatment ( suspended reflectors, resonant absorbers, quadratic-residue diffusers)
2. Sound Isolation – the use of building materials and construction assemblies designed to reduce the transmission of airborne and structure-borne sound from one room to another or from the exterior to the interior of a building (Sound Insulation)
• Site noise characteristics (sound level, character, duration)
• Outdoor barriers, nearby buildings, vegetation, and earth berms
• Location of activities within buildings (zoning, buffer spaces)
• Background noise criteria (HVAC system, electronic)
3. Mechanical system noise and vibrations
• Equipment noise characteristics
• Location of mechanical equipment
• Vibration isolation ( springs, pads)
• Air duct and pipe treatment ( linings, mufflers, laggings)
• Background noise from air outlets (coordination with sound isolation)
4. Electronic sound systems
• System compatibility with room acoustics
• Loudspeaker selection, placement and orientation
• System components and controls
• Background masking (loudspeaker layout, sound spectra)

Definitions of SOUND 2
1. physical wave in an elastic medium, usually air
2. the sensation stimulated in the organs of hearing by mechanical radiant energy transmitted as longitudinal pressure waves through the air or other medium
3. a vibration in an elastic medium such as air, water, most building materials, and the earth
4. physically, sound is a rapid fluctuation of air pressure
Types of Sound
1. Wanted Sound (speech, music) – heard properly
o considered desirable
o heard properly
2. Unwanted Sound (noise) – annoyance
o annoyance
o not desired or objectionable
Characteristics of Sound
1. Audible
2. Inaudible
Basic Principles of Sound - understanding the characteristics of sound is essential in designing for good acoustics)
1. Generation
o sound is generated when an object vibrates, causing the adjacent air to move, resulting in a series of pressure waves radiating out from the moving object
o Wave – a disturbance or oscillation that transfers energy progressively from point to point in a medium or space without advance by the points themselves, as in the transmission of sound or light
o Sound Wave – a longitudinal pressure wave in air or an elastic medium esp. one producing an audible sensation
2. Frequency
o the no. of times the cycle of compression and rarefaction of air occurs in a given unit of time (e.g. 1000 cycles in the period of 1 second = 1000 cps = 1000 Hertz)
o the no. of cycles per unit time of a wave or oscillation
o the no. of complete cycles per second (frequency of vibration)
o the rate of oscillation of molecules by sound (frequency of vibration) measured in cycles per second (Hertz)
o Pitch – frequency of sound vibration; the predominant frequency of a sound as perceived by the human ear
o Vibration – the back and forth motion of a complete cycle
o Cycle – full circuit by a displaced particle
o Period – the time required for one complete cycle
o 20 – 20,000 Hz – approx. audio frequency range of human hearing;
o 600 – 40,000 Hz – critical frequency for speech communication
o Tone – composed of a fundamental frequency with multiples of the fundamental, called Harmonics
o Pure Tone – sound composed only of 1 frequency
o Musical sounds are combination of many pure tones
o Frequency bands – used to express division of sounds into sections (Octave bands are the most common)
o 9 Octave Bands – 31.5, 63, 125, 250, 500, 1000, 2000, 4000, 8000 Hz
3
3. Velocity
o varies according to the medium of transmission; approx. 1100 fps in air at normal temperature and pressure
4. Wavelength
o Distance between similar points on successive waves; the distance the sound travels in one cycle
o Relationship between wavelength, frequency, and velocity:
Λ = c/f
Λ = wavelength, ft.2
c = velocity of sound, fps
f = frequency of sound, Hz (cps)
o Low frequency sounds: characterized by long wavelengths
o High frequency sounds: characterized by short wavelengths
o Sounds with wavelengths ranging from ½” – 50’ can be heard by humans
5. Magnitude
o Sound power (watts) – amount of energy produced by a source
o Intensity – describes the energy level; unit is watts/cm2
o Loudness (what is perceived) – related to the Intensity Level (IL) or Sound Pressure Level (SPL)
o The Sound Pressure Level (SPL) is equivalent to the Sound Intensity Level (IL)
o Intensity Level is expressed in decibels
o Decibel – dimensionless unit used to express the ratio of two numerical values of a logarithmic scale
Comparison of decimal, exponential, and logarithmic statements of various acoustic intensities
Intensity (watts/cm2) Intensity Level
Decimal Notation Exponential Notation Logarithmic Notation Examples
0.001 10-3 130 dB Painful
0.0001 10-4 120 dB
0.00001 10-5 110 dB 75-piece orchestra
0.000001 10-6 100 dB
0.0000001 10-7 90 dB Shouting at 5 ft.
0.000000001 10-9 70 dB Speech at 3ft.
0.00000000001 10-11 50 dB Average office
0.0000000000001 10-13 30 dB Quiet unoccupied office
0.00000000000001 10-14 20 dB Rural ambient
0.000000000000001 10-15 10 dB
0.0000000000000001 10-16 0 dB Threshold of hearing

o The fundamental relationship that determines the decibel level is ten times the logarithm to the base 10 of the numerical ratio of the two intensities. For example:
IL = 10 log I
I0
IL = intensity level
I = intensity, watts/cm2
I0 = reference intensity, 10-16 watts/cm2
4
6. Time Characteristics of Sound
o Some sounds remain constant with time (e.g. fan may produce a sound with constant frequency and intensity characteristics – a steady state sound)
o Sounds (traffic, voices, musical instruments) vary as a function of time
o Vehicular traffic sounds: maximum levels/levels exceeded for 90% of the time
o Speech sounds: 1% peaks
o Orchestra’s sound: long-term average levels
Behavior of Sound in a Free Field
• Sound intensity is reduced to one-quarter each time the distance doubles:

I1 and I2 are the intensities at distances d1 and d2 from the source
• The intensity of a sound at a distance from the source is expressed as the power (P) of the source divided by the area over which it has spread (A)
I = P/A
• If the sound radiates freely in all directions from a source the area is a sphere. The intensity is represented as:
I = P
4π r2
P = power in watts
r = distance from source in cm
In English units, the conversion factor is 930 cm2/ft4π r2Using this, the equation for spherical direction is:
I = P/930 x 4π r2
As the intensity is reduced to one-quarter with each doubling of distance, the sound pressure level (IL) is reduced by 6 dB. Quartering the intensity reduced the intensity level by 6 dB
• Sound attenuation is due to distance, absorption, or barriers
• Barriers, to be effective must be solid, quite large as compared to the wavelength of sound and near to the source or receiver
• Shrubs, hedges, small groves: visual barriers only; no value acoustically
• Sound Combining. Sounds from separate sources may combine. Two violins produce a louder sound than 1 instrument; 3 violins are louder still. Decibels are not added directly to make the perceived level twice as loud for 2 sources or 3 times as loud for 3. The level for combined sources is determined by adding powers, intensities or pressures; and subsequently converting to decibels. Doubling of intensities results in a 3 dB increase (e.g. 50 dB plus 50 dB is 53 dB, not 100 dB)

5
ROOM ACOUSTICS
Sound Indoors – Acoustics of Room
• Sound in an enclosure radiates out from the source until it hits a surface that reflects or absorbs it
• If the source is continuous, a state of equilibrium will be reached
• Levels are constant throughout most spaces except at points very near the source (for a given source, the built-up or reverberant levels will be highest in a space with a few absorptive surfaces – lobby with marble walls/floors; in a space with large areas of sound absorbing materials, the levels will be lowest
1. Sound Absorption
• Materials varying sound absorption characteristics
 Some absorb low frequency energy
 Some absorb high frequency energy
 Others absorb energy equally over a broad spectrum
• Mechanism of Absorption: 3 families of devices for sound absorption; all types absorb sound by changing sound energy to heat energy
 Fibrous materials (Porous materials): absorption provided by a specific material depends on thickness, density, porosity, resistance to air flow (e.g. materials must be thick to absorb low frequency sounds effectively; suspending an acoustical ceiling tile a foot below the structure results in better broad band absorption than cementing the tile directly to the structure; “acoustic” paints with sand or walnut shells are useless as sound absorbers
 Panel resonators: built with a membrane (thin plywood, linoleum in front of a sealed airspace); panel is set in motion by the alternating pressure of the impinging sound wave; sound energy is converted into heat through internal viscous damping; used where efficient low frequency absorption is required/ mid and high frequency absorption is unwanted; used in recording studios
 Volume resonators
• Coefficient of Absorption (α): Knowing the amount of absorption at different frequencies for each material in a room is essential in designing the room acoustics
 The absorption coefficient is the fraction of incident energy that is absorbed by a surface expressed as
α = Ia
Ii
Ii = incident energy, watts/cm2
Ia= absorbed energy, watts/cm2
α = absorption coefficient (no units)
 Total absorption (A) provided by a surface (S) is expressed in sabins
A = Sα
A = Total absorption, sabins
S = Surface area, sq ft
α = Coefficient of absorption

6
Coefficients of General Building Materials and Furnishings
Coefficients for absorption in auditorium is shown for both empty and occupied seating conditions


• Many products are prefabricated for sound absorbing treatment (suspended ceilings/wall mounted treatments
• 3 kinds of custom-designed treatments that are often used in auditoriums/churches (the deep air space insures adequate low frequency performance


2. Noise Reduction by Absorption
• Noise levels in a room are highest for a given source if the room’s surfaces are primarily sound reflecting; lowest if there are large areas of sound absorbing materials (e.g. sound absorbing ceilings
3. Reflections
4. Reverberation

[nerak_zuproc]

naku, ganun ba. Akala namin pupwede ito. Ang gulo ng statement ah. Sabi nila batch 2009 pwede na ang 1 year apprentenship. Oh mali lang ang dinig namin. he he

[jenaro]

naku, ganun ba. Akala namin pupwede ito. Ang gulo ng statement ah. Sabi nila batch 2009 pwede na ang 1 year apprentenship. Oh mali lang ang dinig namin. he he

pede basta ba walang tulugan eh...3840 hours sa loob ng isang taon!lolz...may 4800 pa namang remaining for gimik at review,dapat ngstart na kayo sa review.

[nerak_zuproc]

tanung ko lang po ulit sir jenaro. okey lang po ba kung iinclude ko ang saturday sa log book ko? oh kailangan bang monday to friday lang ang working days pag nagaaprentice ako? kasi kung nagsimula ako ng june 2008 tapos end of apprentice ko eh April 2010 (ok lang po ba kung april matatpos apprentice ko kahit on going na that time ang review ko?). Kung susumahin 22 months akung nagaprentice tapos kung monday to friday lang tapos 8 hours a day, kukulangin ako ng oras. Pano po ba ito sir?

[jv_maC's]

tnx po sa pag post.malaking tulong po itong mga naka post.
congrats sa lahat mga bagong architects!!!

[jv_maC's]

sir jenaro..totoo po bang wala ng drafting sa board?

[nerak_zuproc]

sir jenaro..totoo po bang wala ng drafting sa board?

wala na po sir. multiple choice na. .

[jv_maC's]

sir jenaro..totoo po bang wala ng drafting sa board?

wala na po sir. multiple choice na. .

ganun po ba...totoo nga kung ganun.salamat sir/ma'am? narek_zuproc o ms.karen corpuz?hehehehe

[nerak_zuproc]

sir jenaro..totoo po bang wala ng drafting sa board?

wala na po sir. multiple choice na. .

ganun po ba...totoo nga kung ganun.salamat sir/ma'am? narek_zuproc o ms.karen corpuz?hehehehe

ot. .
karen corpuz. he he. Walang anuman

[jv_maC's]

sir jenaro..totoo po bang wala ng drafting sa board?

wala na po sir. multiple choice na. .

ganun po ba...totoo nga kung ganun.salamat sir/ma'am? narek_zuproc o ms.karen corpuz?hehehehe

ot. .
karen corpuz. he he. Walang anuman

sabi n nga ba Karen Corpuz ang true nym mu eh.hehehehe..kilan ka kuha ng board?

[bluedevil]

bro jen ani contact mo dian pra sa logbook...

or anyone from manila na pabalik d2 sa emirates maki suyo sana aku sa logbook kc wla aku logbook almost 5years narin aku since i graduate and now im planing to take sa exam anyone from manila na UAP member nka mka dala ng logbook d2 nlng bayad mga mam's nd sir's TIA....

[jan kier]

Clarification:

Tanong ko lang po anu-ano ba ang mga requirements para sa logbook?

Post niyo naman guidelines para sa logbook..

Lilipat sana ako sa ibang firm.. 4 na buwan na ako nagtratrabaho lilipat kasi kami ng pamilya ko sa mindanao sa susunod na buwan o dalawang buwan mula ngayon.kailangan ko na ba talaga ng sign ng Archt mentor ko para logbook? kaso wala pa ako niyon.

Saan ba ako makabili ng logbook? na sa Cebu ako ngayon pero baka sa susunod na mga buwan ay pupunta na ako sa mindanao..saan po ba pwedeng makabili ng logbook yung pinakamalapit sa lokasyon ko? (visayas or mindanao)...

[markitekdesign]

[center]

Clarification:

Tanong ko lang po anu-ano ba ang mga requirements para sa logbook?

Post niyo naman guidelines para sa logbook..

Lilipat sana ako sa ibang firm.. 4 na buwan na ako nagtratrabaho lilipat kasi kami ng pamilya ko sa mindanao sa susunod na buwan o dalawang buwan mula ngayon.kailangan ko na ba talaga ng sign ng Archt mentor ko para logbook? kaso wala pa ako niyon.

Saan ba ako makabili ng logbook? na sa Cebu ako ngayon pero baka sa susunod na mga buwan ay pupunta na ako sa mindanao..saan po ba pwedeng makabili ng logbook yung pinakamalapit sa lokasyon ko? (visayas or mindanao)...

Republic of the Philippines
Professional Regulation Commission
Manila
BOARD OF ARCHITECTURE
Resolution No. 04
Series of 2005
WHEREAS, SEC. 13 (c), Article III of RA 9266, requires that candidate for licensure examination
in architecture must have a specific record of at least (2) years or equivalent of diversified architectural
experience duly certified by a registered/licensed architect.
WHEREAS, the United Architects of the Philippines (UAP), the integrated and accredited
professional organization of architects, submitted to the Board UAP Document No. 210 entitled “Logbook
of Diversified Experience in Architecture” which the Board approved and adopted in Board Resolution No.
01, Series of 2000.
WHEREAS, for the reason stated in Board Resolution No. 5, Series of 1993, the requirement of
diversified experience in licensure examination has not been implemented and in the same Resolution
the Board resolved “to require mandatory and unconditionally the submission of the Logbook of
Diversified Experience in Architecture” beginning with the second schedule of examination in 1995.
WHEREAS, the Board of Architecture realizes that UAP Document No.210, as approved and
adopted, needs revisions to reflect the detailed diversified training in the different phases of the Practice
of Architecture conforming to RA 9266 and its Implementing Rules and Regulations, total number of
hours rendered by a candidate for examination, the period covered by the training, date when mentor
signed the logbook, his/her address, valid IAPOA number, valid PTR No., UAP control number, check list
of documents and other details for facility in processing of application for examination, easy notification
and for administrative controls.
WHEREOF, the Board resolved as it herby resolves to request the United Architects of the
Philippines (UAP), which drafted the Logbook of Diversified Experience in Architecture under UAP
Document No. 210, Series of 2000, to revise the said document in accordance with above observations.
Let copy of this Resolution be furnished the President of the UAP for the desired revision of UAP
Document No. 210.
Done in the City of Manila, this 6th day of December 2005.
EUGENE G. GAN
Chairman
FERNANDO L. SANTOS MIGUEL R. CALUZA
Member Member
ATTESTED:
CARLOS G. ALMELOR
Secretary, Professional Regulatory Boards,
APPROVED:
LEONOR T. ROSERO
Chairperson
AVELINA A. DE LA REA RENATO B. VALDECANTOS
Commissioner Commissioner
P. PAREDES ST., CORNER MORAYTA STREET, SAMPALOC, MANILA, PHILIPPINES
P.O. BOX 2038, MANILA
The United Architects of the Philippines
The Integrated and Accredited Professional Organization of Architects
UAP Doc. 210 - Logbook of Diversified Experience
____________________________________________________________________________
Logbook on
Diversified Experience
in Architecture
(Revised per Board of Architecture No. 04, Series of 2005)
____________________________________________________________________________
UAP COMMISSION ON EDUCATION
THE UNITED ARCHITECTS OF THE PHILIPPINES
THE INTEGRATED AND ACCREDITED PROFESSIONAL ORGANIZATION OF ARCHITECTS
Guidelines for Filling-Up the Logbook on Diversified Experience for
Architects Licensure Examination
1. Section 3 (29) of Rule I of Board Res. No. 07, Series of 2004, known as the “IRR of the
Architecture Act of 2004”, defined “Diversified Architectural Experience” as “post baccalaureate,
pre-licensure experience of two (2) years required of a graduate of architecture prior to taking the
licensure examination, consisting of a variation of experiences in the different phases of
architectural service”. A graduate may immediately undergo Diversified Architectural Training
with a Mentor/s of his/her choice after his/her graduation.
2. Trainees must secure the logbook from the UAP Secretariat or School where he/she graduated
(one logbook per candidate).
3. The Mentor shall accomplish the DT form 002 by filling-up the following:
A. Name of Trainee;
B. Project Title/Description & Location;
C. Period Covered:
· Indicate the inclusive days when the trainee was involved with the particular
project.
D. Field of Practice (FOP) conforming to Sec. 3 (4) (Scope of the Practice of Architecture)
Art. 1 of R.A. No. 9266.
Practice of Architecture;
· Indicate the corresponding number of hours in the appropriate FOP column.
E. Total Number of Hours:
· Indicate the total number of hours that the trainee has accumulated in the
performance of his/her function/s for the particular project. Total number of hours
shall be per project and per FOP.
· In case of full time, the corresponding number of hours is equal to the number
of inclusive days multiplied by eight (8) hours.
e.g. 20 days x 8 hours/day 160 hrs.
F. Indicate “Nothing Follows” after the last entry.
4. The mentor signs above his/her printed name and affix dry seal, and fill-up the following:
A. Address
B. Date Signed
C. Cert. of Reg. No. (this No. is the same as that of the Professional Identification Card)
and Date of issuance of the Cert. Of Reg. No. by PRC and the renewal date and Expiry
Date of the Professional Identification Card;
D. IAPOA Nos. and Date of IAPOA Official Receipt No. issued by UAP and Expiry date.
E. Valid PTR No. and Date and Place of issuance thereof.
5. After collecting all the accomplished DT Form 002 from his/her mentor/s, the trainee must
accomplish the DT Form 001 by filling-up the following;
A. Total Number of Hours Accomplished;
· Summarize the total number of hours for each FOP.
· Trainee must accomplish the required number of credit hours for each FOP as
enumerated in the DT Form 001. Excess of credit hours in one specific FOP will not
be credited to other FOP.
· Indicate the sum of the total number of hours accomplished from the entire FOP.
Total number of hours shall not be less than the required 3,840 hours.
B. The school where the trainee graduated shall fill up the appropriate box;
C. Trainee signs the form (DT Form 001).
6. The trainee submits the DT Form 001 & DT Form 002 and the Architect’s Affidavit together
with the required supporting documents enumerated in the DT Form 001 to the PRC for
evaluation.
The United Architects of the Philippines (Revised per Board of Architecture
The Integrated and Accredited Professional Organization of Architects Resolution No. 04, Series of 2005)
UAP DOC. 210 – Logbook of Diversified Experience
DT FORM 001









 


























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2222222222222222__________________________
TRAINEE’S SIGNATURE
To be filled up by the Dean or Department Head of school graduated:
SCHOOL: ________________________________ ATTESTED BY:
DATE OF GRADUATION: ______________________ _____________________________________________________
Dean’s/Department Head’s Signature above Printed Name
School Control No.__________________________
IAPOA No. _____________-____________-____________
Date Issued _____________________________________
Expiry Date ______________________________________
The United Architects of the Philippines (Revised per Board of Architecture
The Integrated and Accredited Professional Organization of Architects Resolution No. 04, Series of 2005)
UAP DOC. 210 – Logbook of Diversified Experience
PRC EVALUATION BOARD OF ARCHITECTURE
ACTION TAKEN
Document Submitted

Accomplished DT Form 001

Accomplished DT Form 002

Architect’s/Mentor’s Affidavit

Baccalaureate Transcript of Records

Certificate of live Birth

College Diploma

Marriage Contract

NBI Clearance

Photocopy of Mentor’s Professional Identification Card, Valid
PTR & IAPOA Certificate.

Others
Received by: ____________________________
Date : ____________________________
Time: ____________________________

Approved for Examination

Disapproved

Others: ________________________________________________
___________________________________
Chairman
_________________________ _________________________
Member Member
DATE:






































 


















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Day Mo. Yr. Day Mo. Yr. A B C D E F
Total No. Of Hours
NOTE: This statement shall be accomplished per Mentor.
Trainee’s Diversified Training must conform with RA 9266
Sec. 3 (4) for Scope of the Practice of Architecture
LEGEND:
FIELD OF PRACTICE (FOP) %
(MAX.)
MINIMUM
CREDIT
HOURS
A. ARCHITECTURAL DESIGNING/DRAFTING, STRUCTURAL
CONCEPTUALIZATION, PLANNING & THE LIKE 30% 1152 hrs.
B. PREPARATION OF CONTRACT DOCUMENTS, SPECIFICATIONS
WRITING, BILL OF MATERIALS, COST ESTIMATES, GENERAL
CONDITIONS, BIDDING DOCUMENTS, CLERK OF WORKS AND THE
LIKE
25% 960 hrs.
C. FIELD SUPERINTENDENCE, PROJECT MANAGEMENT
ADMINISTRATION & THE LIKE.
15% 576 hrs.
D. TECHNICAL, ECONOMIC AND FINANCIAL FEASIBILITY STUDIES,
PROJECT PROMOTIONAL, PRE-DESIGN & THE LIKE. 10% 384 hrs.
E. ARCHITECTURAL LAY-OUTING OF MECHANICAL, ELECTRICAL,
ELECTRONIC, SANITARY, PLUMBING, COMMUNICATIONS AND
OTHER UTILITY SYSTEMS, EQUIPMENT AND FIXTURES ARCH’L
LIGHTING, ACOUSTICS AND ALLIED FIELDS OF PRACTICE.
10% 384 hrs.
F. ARCHITECTURAL INTERIORS/SPACE PLANNING, RESTORATION/
PRESERVATION AND OTHER ANCILLARY SERVICES. 10% 384 hrs.
TOTAL 100% 3840 hrs.
The United Architects of the Philippines (Revised per Board of Architecture
The Integrated and Accredited Professional Organization of Architects Resolution No. 04, Series of 2005)
UAP DOC. 210 – Logbook of Diversified Experience
________________________________
MENTOR’S SIGNATURE ABOVE PRINTED NAME
(Pls. affix your Architect’s Dry seal)
Address: __________________________________
Date Signed: _______________________________
Prof. ID Card No ____________________________
Date Issued:____________ Expiry Date__________
IAPOA NO. ________-___________-____________
Date Issued: ______________________
Expiry Date:_______________________
Valid PTR No. ______________________________
Place Issued: ______________________
Date Issued: _______________________
UAP Control No. 2005 ______________
REPUBLIC OF THE PHILIPPINES
City of ___________________) S.S.
WARNING
Any applicant who knowingly makes any
false statement herein shall be subject to the
provisions of Sec. 13, Art. III of R.A. No.
9266, known as the “Architecture Act of
2004”, and Sec.13 Rule III of Board Res.
No. 07, Series of 2004, known as the “IRR
of Architecture Act of 2004”, without
prejudice to criminal prosecution if the
evidence warrants under R.A. No. 9266 and
the Revised Penal Code.
AFFIDAVIT
I, ________________________________________ of legal age, with residence
and postal address at ________________________________________________ after
being duly sworn upon my oath, depose and state:
1. That I am a practicing architect with Certificate of Registration No.
__________ issued on _________________ and with office/s located at
____________________________________________________;
2. That pursuant to Section 13 (c), Article III of R.A. No. 9266, and in
accordance with the requirements prescribed in the Logbook of
Diversified Experience in Architecture, records of my office show that
Mr./Ms. __________________________ has undergone Diversified
Training under my mentorship and supervision covering the period from
__________________________ to ______________________;
3. That attached hereto is DT Form 002 duly accomplished, marked as
Annex “A” and made an integral part hereof;
4. That I am willing to appear before the Board of Architecture, the
Professional Regulation Commission (PRC), or its duly authorized
representative, and present satisfactory evidence of the trainee’s
diversified training in my office and the diversified experience the trainee
has acquired, if and when required.
IN TRUTH OF ALL THE FOREGOING, I have signed this affidavit this ____ day
of ___________ 200__ at _____________________________________.
AFFIANT
(Affix your architect’s seal)
SUBSCRIBED AND SWORN to before me this ______ day of __________
200__ at _______________________, affiant exhibiting to me his/her Community Tax
Certificate No. _____________ issued on _______________ at ______________.
Doc. No. ______________ NOTARY PUBLIC
Page No. _____________ Until December 31, ________
Book No. _____________
Series of _____________

[markitekdesign]

ito yong link

http://architectureboard.ph/board.1.php#main

[jan kier]

ito yong link

http://architectureboard.ph/board.1.php#main

Thanks for the Link.. I was looking for this..nakaklito na man kasi yung site ang daming link na articles d ko tuloy nakita ang location..

[joanne]

Hi mga future architects!.. how true n ibabalik daw ung manual drafting starting june 2011??....

[Vivisik]

Guys 4 days nalang before the board exam goodlock satin mga mag tetake!

[bokkins]

Good luck sa mga magtake ng boards, relax lang kayo at wag masyadong mastress sa pag-aaral.

Very important ang magising ng maaga at wastong oras ng tulog.

And take your saturday as your rest day para magregenerate ang energy levels.

Wag mag panic. Kayang kaya yan.

[kira_01]

Sir thanks for the info.

[Vivisik]

sir bokkins than you po for your reminders!

[afterdark]

hirap makatulog kakaisip na sa friday na ang exam!

[ga_iguis]

hello kelan po ba ung schedule for architecture board exam application for 2011? tnx..

[archichard]

sir wala kabang sample computation ng reverbaration ? at stc XXX para acoustic door

[Valiant]

hello kelan po ba ung schedule for architecture board exam application for 2011? thanks..

there is a rumor na 2012 na ang next exam for architecture. gagawin na yatang every 2 years. can anyone confirmed this? wala pa sa PRBOA e pero maraming Review Center na ang nagsasabi.

[arkibons]

Suggest ko lang basahin din ng mga reviewee ang "the visual Dictionary of D. K. Cheng.. every exam kc dami lumalabas jan.. yon ang nagsave sa akin two books of D. K. Cheng..

[bakugan]

Sa mga kukuha ng exam ngayong january 2011 try to have a copy refresher 2010 ng JPT maraming lumabas last june 2010. Bawal ang erasure kasi yun ang dumali sa akin mababa ang score ko sa tatlong subjects, although 62% hindi parin kinaya ng powers ko kulang ng 1.40% para umabot ng 70%.

[bakugan]

hello kelan po ba ung schedule for architecture board exam application for 2011? thanks..

there is a rumor na 2012 na ang next exam for archtiecture. gagawin na yatang every 2 years. can anyone confirmed this? wala pa sa PRBOA e pero maraming Review Center na ang nagsasabi.

Ganon po ba?

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