We are HIRING!

by Guest Sat May 24, 2014 11:18 pm

_{We are currently looking to hire for multiple positions as mentioned below.. Please email your resume, portfolio/demo reel link and cover letter explaining why you feel you would be a great fit, indicate which position you are applying for in the subject line and send it to: mildred_escobal@yahoo.com Our studio is located in Subic Bay Freeport Zone(Olongapo)}

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_{2d Animators}
_{Responsibilities:}
_{• Manage and produce quality animated pieces on schedule within ToonBoom Harmony}
_{• Working closely with the Animation Director}
_{• Coordinating with designers & artists to create animation assets that fulfill the requirements}
_{• Handling creative decisions.}
_{Qualifications:}
_{• Minimum 5 years of experience is required.}
_{• Must have a strong sense of animation timing, posing, weight and storytelling.}
_{• Solid drawing skills,understanding of perspective}
_{• Ability to animate characters moving naturally,good understanding of weight and physics}
_{• Stong acting skills and imagination, ability to animate characters in a wide variety of emotions}
_{• Able to work and communicate effectively in a collaborative, fast paced environment.}
_{• Strong critical thinking and problem solving skills.}
_{• Must be flexible and willing to learn.}
_{• Ability to animate in ToonBoom/Flash (3d animation knowledge a bonus)}
_{• Ability to work in a studio environment}

_{=====================================================}

_{Background Artist/Matte Painter}
_{Responsibilities:}
_{Designing and painting background images and other assets used in background / set work. Will work closely with director and other artists from different departments to build rich sets using efficient methods. In addition they will also provide storyboard and other 2d work when requested.}

_{Qualifications:}
_{• The ability to create photo-real environments and landscapes that exhibit a strong foundation in photo-realistic traditional and digital art.}
_{• Thorough knowledge of advanced matte painting techniques including colour space, digital paint techniques and Photoshop file management (be it file format, bit depth resolution or appropriate layering of elements).}
_{• Technical proficiency in photography with an emphasis on composition, depth, lighting and colour.}
_{• A high level of understanding of 3d projection work in Nuke and Maya to ensure the highest standards of plate integration.}
_{• Working knowledge of the principles of 3D texture projections.}
_{• A minimum of 3 years experience in matte painting.}
_{• Excellent verbal and written communication skills.}
_{• Professional aptitude for time management in relation to bringing multiple priorities and tasks to completion within a set deadline.}
_{• Able demonstrate to ability to work to tight schedules with fast turnaround.}
_{• Able to translate verbal and written concepts and convert them effectively to the visual medium.}
_{• Able to take artistic and technical direction positively and work well within a team environment.}
_{• Pro-active.}
_{• Team oriented.}
_{• Adaptable.}

_{=======================================================}

_{Layout Artist}
_{Responsibilities:}
_{• In close collaboration with the director, the layout artists translate the scripts and storyboards into polished frames.}
_{• This crew choreographs the character models in the animated environment and manipulates the virtual camera to dictate what is seen on screen, to capture the important emotion and plot of the scene.}
_{• Layout artists position and pose the characters according to the action and dialogue in the script, giving the animators a starting point from which to fully flesh out the characters’ movements and expressions.}

_{Qualifications:}
_{• Ability to stage shots and plot the action that will take place within each scene, ensuring flow within and between shots and sequences; block in the position of characters and major shots within assigned scenes, using storyboards as reference}
_{• Camera animation skills are a necessity}
_{• A working knowledge of the principles of cinematic staging, blocking, and camera work; good understanding of timing and editing}
_{• Passionate about art and animation; devoted to films and animation production}
_{• Demonstrated fast learning ability, communication skills; ability to communicate with colleagues .}
_{• Excellent traditional art skills, with talents in both drawing and painting are preferred}

_{======================================================}

_{Storyboard Artist}
_{Responsibilities}
_{• Receive written and verbal descriptions of a sequence from the Director.}
_{• Draw storyboards that depict the action, camera placement, and acting of the characters in that sequence.}
_{• Hone, refine, delete, or create dialog where needed.}
_{• Present the storyboards to the director and other members of the story team.}
_{• Once approved, pass storyboards on to the team.}
_{• Create new drawings to fix and change sequences throughout the production process.}
_{• Create and pitch alternate story solutions to the director.}
_Requirements
_{• Able to create story ideas and options to story ideas}
_{• Composition and presentation skills}
_{• Able to present work in a clear and entertaining way}
_{• Entertaining acting ideas}
_{• Strong layout and design skills}
_{• Strong, communicative draftsmanship}
_{• Able to work quickly, when necessary}
_{• Able to work collaboratively, create and then change gears}
_{• Basic knowledge of film is required, including language, acting, and craft}
_{• Basic Photoshop experience recommended, but not required}
_{• A degree or equivalent in Computer Graphics, Animation, Film-making, or other related course}
_Pluses
_{• Knowledge and experience using editing software}
_{• Previous experience as a storyboard artist in the game or movie industries}

_{==========================================================}

_{VFX Artist}
_{Responsibilities}
_{• Create a wide range of high quality particle effects using proprietary particle tools and various 3rd party software.}
_{• Collaborate effectively with other team disciplines (code, design, environment art, animation).}
_{• Demonstrate creativity and technical ability within the constraints of console development.}
_{• Develop assets optimized for current and next-generation systems.}
_{• Troubleshoot and problem solve visual effects related issues.}

_{Qualifications}
_{• Experience creating brilliant, eye catching real-time VFX using Photoshop, Maya, and in-game VFX systems}
_{• Strong grasp of visual design principles used to create stylized, compelling VFX}
_{• Industry experience, with shipped title demonstrating real-time particle effects.}
_{• Exceptional understanding of Photoshop and/or After Effects for creating textures and effects sequences.}
_{• Able to paint VFX textures from scratch and match an established style}
_{• High degree of proficiency with 3D graphics, particle systems, physics, ribbons, shaders, etc.}
_{• Solid knowledge of rendering engines}
_{• Self-motivated, humble, excellent communication skills}
_{• A minimum of 3 years’ creating VFX for video games,tvc,or films}

_{=====================================================}

_Compositor
_{Responsibilities:}
_{• Composite Digital Visual Effects in a team of 2D/3d artists for final delivery of VFX}
_{• Demonstrate a broad range of compositing abilities and determine the best approach to}
_{solve compositing challenges}
_{• Attend and actively participate in team / production meetings}
_{• Accountable for meeting productivity and quota targets on time and at a high level of}
_quality
_{Qualifications}
_{• At least 3- 5+ years’ experience in compositing digital VFX for film}
_{• Advanced demonstrated knowledge and production experience in high-end compositing}
_{software (preferably Nuke)}
_{• Should have strong knowledge of compositing workflow and the compositing application}
_interface
_{• Should have strong aptitude for technical workflow challenges such as directory}
_{structure, file formats, naming conventions, scripts, automation tools, automated dailies,}
_etc.
_{• Experience with complex matte extractions and motion tracking}

_{======================================================}
_{Concept Artist}
_{Responsibilities:}
_{• Collaborate with the Art Director to establish visual direction for mood, environments, gameplay items/weapons/gadgets and props for use by Environment Artists, Level Architects and outsource teams to model and texture assets.}
_{• Concept a range of environments, scenes, and assets}
_{• Paint over the top of 3D geometry as needed to define concepts}
_{• Develop orthographic production images as needed for 3D modelers}

_{Qualifications}
_{• Strong Photoshop skills}
_{• Strong traditional artistic skills with an excellent grasp of lighting, environment,industrial design, architecture, color theory, and perspective, and iconography}
_{• Working knowledge 3D art techniques and software packages, such as Maya, 3Ds Max, Zbrush, or Mudbox a plus}
_{• 3-5 years experience concepting for video games or film}
_{• Excellent communication and time management skill}
_{• Previous AAA game experience a plus.}

_{=======================================================}

_{3d Modelers/Texture Artists}
_{Responsibilities}
_{• Create geometries and texturing for characters, sets, props and vehicles based on production designs}
_{• Develop models for multiple types of productions from simple to moderately difficult}
_{• Render images of the models you create for approval and circulation}
_{• Complete all work assigned within the scheduled time frame and in an efficient manner}
_{• Collaborate with animation team to ensure models are structured to achieve intended performance requirements.}
_{• Interpret and implement notes and feedback from directors and supervisors in a timely and qualitatively acceptable way}
_{• Remain current in modelling and production techniques}
_{• Stay up-to-date on production related software}
_{• Carry out duties in a professional and positive manner}

_{Qualifications}
_{• Degree and/or diploma in fine arts or animation or equivalent experience is preferred}
_{• 3-5+ years of experience working in a professional environment within their discipline.}
_{• Proficiency in Maya, Photoshop, and Zbrush}
_{• A full working knowledge of Photoshop, or similar paint package is vital. Knowledge of Body Paint,Polypainting in Zbrush or other 3D paint packages would be a big advantage.}
_{• Understanding and experience in the creation and use of geometry assets in a production setting}
_{• Basic understanding of scripting and programming in Python or MEL a plus}
_{• Understanding of facial shape animation}
_{• Working knowledge of Windows operating system}
_{• Good understanding of animation process}
_{• Open and encourages feedback and new initiatives}
_{• Work well in a team environment}
_{• Thrive in a high-pressure, deadline-oriented environment}
_{• Able to follow direction}
_{• Able to take criticism professionally}
_{• Has a good sense of aesthetics}

_{=========================================================}

_{3d Animators/Rigger}
_{Responsibilities}
_{• Construct 3D character rigs and animation interfaces and controls for assigned characters and props}
_{• Troubleshoot and evaluate character-rigging issues for artists within various disciplines}
_{• Follows the established style of performance for the project and mentors as necessary.}
_{• Collaborates with Lead and/or Principal to create and determine unique traits for characters and or objects to be animated.}
_{• Mentors and}• Seeks creative options to maximize re-use when applicable.
_{• Provides feedback and support to the team as necessary.}
_{• Provides mentoring and training as necessary.}
_{• Delivers assignments per project schedules and set quotas.}
_{• Ensures balance, composition and timing requirements are implemented in a way that supports the story and character performance.}
_{• Creatively enhances material in order to achieve set standards of performance and complexity.}
_{• Interpret and implement notes and feedback from Director (s), Supervisor or Leads in a timely and qualitatively acceptable way.}
_{• Adheres to digital file management protocols.}
_{• Interacts respectfully and professionally with colleagues, staff members and clients.}
_{• Additional duties as requested}
_{Qualifications}
_{• Degree and/or diploma in fine arts or animation or equivalent experience is preferred}
_{• 3-5+ years of experience working in a professional environment within their discipline.}
_{• Comprehension of core principles relating to rigging such as deformation order and the transformation matrix}
_{• Thorough understanding of techniques and technologies relating to character rigging and animation}
_{• Advanced knowledge of skeleton setup, skinning, constraints and enveloping}
_{• Basic knowledge of facial expression setup}
_{• Understanding of 3d computer graphics theory and practice.}
_{• Understanding of shape, composition, physical motion, weight and balance}
_{• Strong abilities to use acting skills that in turn can articulate ideas and traits of the characters.}
_{• High level of proficiency animating in Maya.}
_{• In-depth aesthetic skills including staging and timing.}
_{• Ability to communicate and/or demonstrate ideas clearly and concisely, both verbally and visually.}
_{• Solid work ethic and positive attitude. Self-motivated and pro-active. Ability to work under pressure. Consistently strives to expand knowledge base.}
_{• Efficient and detail oriented. Ability to complete work with minimal supervision.}
_{• Strong problem solving skills and ability to work collaboratively}
• Ability to fulfill performance exp_{trains the artist to consistently strive towards excellence as necessary.}
ectations with minimal iterations and deliver work on time per production quota requirements.

_{==========================================================}

_{Lighting /Shading Artist}
_{Responsibilities}
_{• Capturing a diverse range of material looks to a high degree of visual quality. From various metals, stone, and wood to skin, fur and water.}
_{• Should have a strong aesthetic eye for breaking down the key rendering components of various materials, as well as solid technical and problem.}
_{• Responsible for final finishing.}
_{• Must be fluent in 3D Maya & VRAY/Mental Ray}
_{• Engages and works closely with Artists to troubleshoot problems and/or inefficiencies and implement solutions that meets the needs of all .Interprets a storyboard into a final lit, rendered shot.}
_{Requirements:}
_{• • Strong balance of aesthetic, technical, problem solving, and communication skills.}
_{• • Excellent understanding of authoring physically based materials in an HDR lighting pipeline}
_{• • Advanced knowledge of materials and rendering within Maya.}
_{• • Strong understanding of lighting principles and techniques.}
_{• • High-end rendering experience.}
_{• • Strong texture painting and digital sculpting skills.}
_{• • Experience with various fur and hair solutions .}
_{• • Good understanding of photo-realistic 3D lighting solutions..}
_{• • Proficient in texturing and shader creation..}
_{• • Moderate to advanced compositing skills in Fusion and/or Nuke..}
_{• • Must be a team player and perform well under tight deadlines.}
_{• • Must be knowledgeable about render layers and optimization of render times}
_{• • Strong foundation in fine art, composition, and color theory}

by Guest Thu May 29, 2014 8:11 am

by Guest Mon Jun 09, 2014 2:45 am

by KiZ-2-KiL Thu Jul 10, 2014 10:20 pm

Is the concept artist and 3D modeler/texturer position open?

by Farins Tue Aug 12, 2014 4:26 am

Hi, its possible see a website about that workplace?

Im interessed.

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